Dittohead with a grudge against the health-care system

By Richard Ades

Mercy Killers is a play with a message.

Playwright/actor Michael Milligan makes no attempt to hide that fact. And even if he did, the secret would be out as soon as you hit the ticket table and found it littered with handouts from a group called the Single-Payer Action Network.

The one-man play’s message is that America’s health-care system leaves people vulnerable to physical and financial ruin. And that’s true even if they have health insurance.

Fortunately, Ohio State alum Milligan is a thespian rather than a clergyman. As a result, the play is much more than a glorified sermon.

As Joe, a car mechanic who’s a fan of Rush Limbaugh, Milligan tells a tale involving a cancer-stricken wife and an insurance company that finds an excuse to bail as soon as the medical bills start piling up. It all unfolds in the form of a rambling statement made to an unseen police officer who suspects Joe of committing a serious crime.

The nature of that crime is unspecified until the end, but Milligan throws in enough foreshadowing to give it away to all but the most optimistic viewers. Despite this, all but the most hard-hearted audience members are likely to find themselves tearing up when the moment of truth finally arrives.

Up until then, the tale is slightly hampered by its structure. The play’s setup—not to mention the title—gives us no reason to believe things will go well. So when Joe relates the ups and downs of his relationship with his wife, Jane, we know better than to hope for the best.

It’s also not hard to see the author’s politically motivated thought processes at work: Joe is portrayed as a Limbaugh dittohead in order to give more weight to his eventual indictment of the health-care system.

But two things work in the play’s favor.

First, it’s filled with details that are both plausible and relatable. And second, Milligan is a very good actor, allowing him to breathe touching reality into what could have come off as a mere propaganda piece.

Will the Affordable Care Act, once it’s fully implemented, prevent tragedies such as the one that befalls Joe and Jane? Hopefully it will make them less likely, but Milligan and the group that’s helping to coordinate the show clearly feel more change is needed. For a look at what the group is advocating, visit spanohio.org.

For a refresher course on why the health-care system is in need of change, see Mercy Killers.

On the Verge Productions will present Mercy Killers through March 9 at the Columbus Performing Arts Center, 549 Franklin Ave. Show times are 7 p.m. Wednesday and Thursday, 7:30 p.m. Friday, 7 p.m. Saturday and 2 p.m. Sunday. Running time: 1 hour. Free; donations encouraged. Mercykillerstheplay.com.

Author: Richard Ades

Richard Ades was the arts editor of The Other Paper, a weekly news-and-entertainment publication, from 2008 until it was shut down on Jan. 31, 2013. He also served as TOP's theater critic throughout its 22-year existence.

2 thoughts on “Dittohead with a grudge against the health-care system”

  1. As a member of the aforementioned advocacy group SPAN Ohio I find your review accurate and refreshing. Other observations have sought to inject partisan political considerations into this play. I believe Milligan’s play only seeks to expose the dire conditions that everyday Americans suffer unlike citizens in any other modern developed democracy worldwide. The problem is they suffer these indignities from becoming seriously ill or injuried mostly alone.
    The veil needs lifted and the problem needs to be addressed or else we will continue to sacrifice millions of more fellow citizens to the plight that folks like Joe and Jane experience.

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