The key to happiness: Listen to Springsteen

BLINDED BY THE LIGHT
Javed (Viveik Kalra) becomes a devotee of Bruce Springsteen in Blinded by the Light. (Photo by Nick Wall/Warner Bros. Pictures)

By Richard Ades

Blinded by the Light introduces us to Javed, a Pakistani-British teen who feels imprisoned by forces beyond his control. Those forces include immigrant-hating bullies and the weak economy of Margaret Thatcher’s UK in the late 1980s.

Worst of all, though, is Javed’s rigid father, who insists on dictating what his son does with his life. Dad’s pragmatic plans leave little room for Javed’s real love, writing, which he surreptitiously practices by writing poems that he shows to no one.

Then a fellow student turns Javed on to the music of Bruce Springsteen, and suddenly his outlook improves. After listening to the American rocker’s lyrical explosions of pain, anger and indomitability, he realizes he’s found a kindred spirit. With the Boss as his inspiration, he begins fighting for the kind of future he wants.

Admittedly, all this would come off as Pollyannaish and unbelievable if it were fiction. However, the fact that the film is inspired by the life of an actual person helps to transform it into an uplifting, if flawed, tale of the power of art and music.

Directed and co-written by Gurinder Chadha (Bend It Like Beckham), the flick relies heavily on Viveik Kalra’s engaging portrayal of its struggling protagonist. Other young actors also are convincing, including Dean-Charles Chapman as Matt, Javed’s best friend; and Aaron Phagura as Roops, the Sikh who introduces him to Springsteen.

On the home front, Kulvinder Ghir adds a humorous edge that prevents Malik, the father, from turning into a total villain. Especially funny is Malik’s insistence that the key to Javed’s success is to copy the behavior of his Jewish classmates—advice that Javed quickly labels “racist.”

Blinded by the Light running
Joyously reacting to the music of the Boss are (from left) Eliza (Nell Williams), Roops (Aaron Phagura) and Javed (Viveik Kalra). (Photo courtesy of Warner Bros. Pictures)

Also strong are the female members of the cast, though they mostly play one-note supporting roles (in more ways than one). Meera Ganatra is Javed’s hard-working mother, Nikita Mehta is his sympathetic sister, and Hayley Atwell is the teacher who pushes him to develop his writing talent. As the activism-minded student Eliza, Nell Williams has a similarly limited role, chiefly serving as Javed’s love interest.

Blinded by the Light’s best moments occur early on—when it introduces us to Javed’s soul-draining environment—and late, when it wraps up its crises in a satisfying way. In between, things are a little more problematic.

When Javed first hears Springsteen songs via a Walkman cassette deck, the film superimposes the words on walls and other parts of his environment. It’s a bit gimmicky, but it gets across the impact the words have on the teen.

Quite a bit sillier are various music video-like scenes in which people run or dance around joyfully in reaction to Springsteen songs. There are also moments that are too predictable or contrived to elicit the emotional response they seek.

Fortunately, the cast turns things around at the end by sticking the landing. The result is that we’re sent out of the theater with renewed faith in life, love, the future and the genius of a certain troubadour from New Jersey.

Rating: 3½ stars (out of 5)

Blinded by the Light (PG-13) opens Aug. 16 at theaters nationwide.

Women test sailing skills in globe-circling competition

Maiden
Tracy Edwards (center) leads an all-woman crew around the world in the documentary Maiden. (Sony Pictures Classics)

By Richard Ades

For much of its existence, women had never competed in the Whitbread Round the World Race. In 1989, Tracy Edwards set out to change that by proving that female sailors were equally capable of circling the globe on wind power alone.

As the account of that groundbreaking venture, Maiden hits all the right notes and avoids all the wrong ones. Alex Holmes’s documentary is exciting and uplifting, yet relatable. Rather than placing its heroine on a feminist pedestal, it depicts her as a brave but flawed pioneer who battles sexism and her own demons while struggling to overcome her biggest foe: the ocean.

“The ocean is trying to kill you,” Edwards announces frankly at the doc’s beginning. Thanks to actual footage taken during her 33,000-mile journey—a journey that sends her all-woman crew through violent storms and iceberg-infested waters—we readily believe it.

But Holmes doesn’t jump right into the race. Instead, he prepares us for the ordeal by recounting the Edwards’s difficult but character-building early years.

Born in Southampton, England, she suffers her first trauma when she loses her doting father at the age of 10. When her mother’s remarriage leaves her at the mercy of an abusive stepfather, she ultimately runs away and immerses herself in the male-dominated world of sailing. By taking on menial jobs such as stewardess or cook, she earns access to men who can teach her the skills she will later put to good use.

Maiden cold
The crew suits up for a trip through frigid southern waters. (Sony Pictures Classics)

By the time Edwards and her crew have acquired a boat—a refurbished yacht they dub “Maiden”—and joined their male competitors at the race’s starting line, she has the know-how but not necessarily the self-confidence she needs for the task ahead. Nonetheless, she sets out to disprove the many chauvinist predictions that they will drop out early. She’s determined not only to finish the race but to come in first in their class.

As filmed by Jo Gooding, a childhood friend of Edwards who also serves as the boat’s cook, the nine-month race is shown to be a combination of frustration and terror, triumph and setback. It all culminates in a surprising realization that what they’ve been doing has meaning far beyond trophies or bragging rights. While they’ve been engaged in a lonely, isolated battle with the sea, it turns out, the world has been watching.

It’s a heartwarming ending to a stirring saga of courage and grit.

Rating: 4½ stars (out of 5)

Maiden (PG) opens Aug. 9 at the Gateway Film Center and AMC Lennox Town Center 24.