Sexy skits remain funny through the final punchline

Brandon Anderson as Funk Daddy Love in a skit from Body Heat (Shadowbox Live photo)
Brandon Anderson as Funk Daddy Love in a skit from Body Heat (Shadowbox Live photo)

By Richard Ades

Are sex and romance the best antidotes for the post-holiday blahs? Shadowbox Live seems to think so, as it always starts out the new year with the theatrical equivalent of a roll in the hay. Accordingly, the new Body Heat theme show holds forth with nearly two hours’ worth of heavy-breathing skits and songs.

Is the show sponge-worthy, as Seinfeld’s Elaine Benes might ask? Yes, thanks to three laudable attributes: (1) Some of the skits are pretty clever. (2) Some of the songs are dynamite. And (3) Funk Daddy Love is back!

For me, the last attribute may be the most important. The singer, played with satirical relish by Brandon Anderson, specializes in songs that attempt to stimulate listeners’ libidos with the help of lyrics that are to subtlety what Donald Trump is to diplomacy.

In Funk Daddy’s current skit, Funk Your Brains Out, the singer promotes such sexually explicit hits as Blew Velvet. “Velvet is the name of my penis,” he helpfully explains. Obviously, you have to have a taste for raunchy humor to appreciate this sort of thing, and apparently I do. Funk Daddy Love cracks me up.

You know what else cracks me up? Skits that are funny right up until the ultimate punchline. If you’ve been to many Shadowbox theme shows, you know the troupe doesn’t always pull that particular rabbit out of the hat, but this time it usually succeeds.

A few skits even have final twists that are as surprising as they are amusing. One of the best is Win Her Back, in which a teacher (Nikki Fagin) wraps up a “Romance 101” course by instructing her male students on how to save their relationship when they inevitably screw up. Another is Promposal, a cute piece about a high-schooler (Jimmy Mak) who’s sure he’ll never land a date to the prom unless he spends big bucks on an extravagantly creative invitation.

Also boasting a twist of sorts, but funnier for what happens before it, is Pro Pickup. It features Tom Cardinal and Amy Lay as sports-style commentators describing the interpersonal action during Ladies Night at a popular meat market. Key characters include the hapless Trent (Jamie Barrow), the out-for-a-good-time Krista (Nikki Davis) and the late-arriving Bill “The Bullet” (Guillermo Jemmott), a former player who’s returning to the singles scene after being “released from his contract.”

In between the winners, there are the usual misfires. They include Office Romance, in which recurring character Johnson (Julie Klein) tries to find out what secret admirer sent her flowers. This one has a twist, too, but it’s as so-so as the rest of the piece.

As for the night’s final skit, Shake Your Whole, it could be described as DOA—that is, Depends on Alcohol. If you’ve had a few drinks, you’ll have a better chance of enjoying this latest confrontation between suburbanites Dick and Betsy Anderson (Mak and Katy Psenicka) and South Siders Puck Ducky and Misty Duck (David Whitehouse and Lay). Besides a few provocative variations on yoga positions, there’s not a lot going on.

Music-wise, the show gets off to an appropriate start with Do You Wanna Touch Me. It’s lustily sung by Fagin, who also handles the lead vocals on an even sexier later number, I Get Off. A sultrier kind of sexiness comes across in Strange Face of Love, sung by Klein with her usual consummate skill.

One of the biggest musical surprises—and not in a good way—is the Robert Palmer hit Addicted to Love. Lead vocalist Cardinal and the house band usually excel at cover songs, but their rendition this classic is, well, less than classic. Not helping is the decision to spoof the iconic Palmer video by having two of the robotic backup dancers played by men in drag. Maybe it’s because I’ve been watching a lot of Transparent lately, but this kind of humor is starting to seem passé.

Much funnier is Shadowbox’s take on the Lonely Island/Saturday Night Live music video I Just Had Sex. The rapped and sung lyrics are performed with nerdy awkwardness by Lay, Barrow, David Whitehouse and Joey Ahern.

Wrapping up both the first and second acts, Anderson sets aside his Funk Daddy Love character to deliver the lead vocals on Bruno Mars’s 24K Magic and James Brown’s Sex Machine. Both are great.

Body Heat continues through March 18 at Shadowbox Live, 503 S. Front St., Columbus. Show times are 7:30 and 10:30 p.m. Fridays and Saturdays. Running time: 1 hour, 55 minutes (including intermission). Tickets are $20-$40. 614-416-7625 or shadowboxlive.org.

Funk Daddy Love shares bill with spirit of Janis Joplin

Two gay fathers (Tom Cardinal, left, and Jimmy Mak) suspect their daughter (Nikki Fagin) of being a closet Republican in Elephant in the Room, one of the skits featured in Best of Shadowbox (Studio 66 photo)
Two gay fathers (Tom Cardinal, left, and Jimmy Mak) suspect their daughter (Nikki Fagin) of being a closet Republican in Elephant in the Room, one of the skits featured in Best of Shadowbox (Studio 66 photo)

By Richard Ades

The annual Best of Shadowbox show basically amounts to summer reruns, consisting of selected songs and skits from previous shows. As a result, it isn’t always something I look forward to.

But this year’s version was different. So much of the material was awesome the first time around that I couldn’t wait to see it again.

Last Friday, I finally got the chance. It turned out to be just as good as I expected.

Lots of people deserve credit for the show’s success, but let’s start by acknowledging the contributions of Brandon Anderson. Not only does he bookend the first act by handling lead vocals on two of the most entertaining songs—Mama Told Me Not to Come and Bruno Mars’s catchy Uptown Funk—but he portrays the central character in the funniest Shadowbox skit in recent memory.

In Funk Daddy Love, Anderson plays a soul singer who’s on trial for the “crime” of being too sexy. As one witness after another explains how his crooning has affected them, Love repeatedly pulls out a microphone and launches into his unbelievably raunchy ballads.

Anderson is great in the role, but it’s all the little touches that really sell the comedy: the nightclub-style lighting that accompanies his warbling, Katy Psenicka’s turn as the uptight prosecutor, Robbie Nance’s portrayal of the awkward defense attorney, Tom Cardinal’s high-pitched attempts to keep order as the judge. In this and every other featured skit, directors Stev Guyer and Julie Klein make sure everything is honed to perfection.

Other welcome returnees include:

Life Duet: The night’s most romantic skit stars Jimmy Mak and Nikki Fagin as a couple whose decades-long relationship is defined by the songs they listen to on the radio.

Sneak a Peek—Dirty Movies: The best episode yet of the faux movie-review series finds hosts Klein and David Whitehouse sampling adult-rated flicks such as Saving Ryan’s Privates and the badly dubbed Samurai Frog Proctologist. The running joke is that the horny heroine inevitably has an equally horny sister who shows up at an opportune moment.

The Friend Zone: The Twilight Zone’s Rod Serling (Nance) narrates the horrifying tale of a hapless guy (Mak) who can’t get to first base because his favorite girl (Fagin) doesn’t even know he’s suited up and ready to play.

Holy Hell: A parishioner (Gabriel Guyer) goes to his priest (Cardinal) to confess a night of debauchery. The piece would be even funnier if the priest’s insistence on details weren’t so unlikely, but it deserves recognition as Shadowbox’s most explicitly sexual skit of all time.

Of the comedy bits I missed the first time around, my favorite is Gymnauseum, in which a substitute gym teacher (Whitehouse) is shocked to learn that dodgeball is considered too taxing for today’s mollycoddled students. Also appealing—at least, up until the weak ending—is Elephant in the Room. It’s about what happens when two gay fathers (Cardinal and a particularly funny Mak) are shocked to learn their daughter (Fagin) may be a closet Republican.

In honor of its 25th anniversary, Shadowbox is bringing back highlights from the troupe’s early years. In this show, the highlight is Steven Lynch’s Lullaby, a song last heard in 2006 at the now-defunct 2Co’s Cabaret. Cardinal again favors the piece with his sweet voice, setting the audience up for a humorous jolt when the lyrics take an unexpected turn.

Other musical selections of note include the two that bookend the second act: Portishead’s All Mine, sung by Stephanie Shull and accompanied by suitably spooky dancing featuring Nance, Fagin and Psenicka; and Queen’s Somebody to Love, harmonized by a gospel-like choir. Sandwiched between these two is the most notable number of all: Klein’s fervent re-creation of Janis Joplin’s Ball and Chain, complete with an extended a cappella section.

As if the show’s live entertainment weren’t enough, it’s punctuated by a collection of often-clever videos. The best is the last: Stev Guyer’s interview with the Columbus Zoo’s Jungle Jack Hanna. Hanna is such a treasure trove of unpredictable drollness that he inspires laughs without even trying.

Presumably, Shadowbox’s regular performers have to work at being as funny and tuneful as they are. Luckily for us, they made the effort.

Best of Shadowbox continues through Aug. 22 at Shadowbox Live, 503 S. Front St. Show times are 7:30 and 10:30 p.m. Friday-Saturday ( no shows July 3-4). Running time: 2 hours, 5 minutes (including intermission). Tickets are $20-$40. 614-416-7625 or shadowboxlive.org.